![]() ![]() This can involve as much as eight months and take you to places as far away as Italy or Japan. You can be on the film from before it starts (your panels can be used to budget the film) until principal photography ends. You take the script, read it, and after talking it over with the director, basically film it with your pencil. ![]() You must have a passion for film, because as a storyboard artist, you are an integral part of the production. The art can always be learned and refined, but knowing the camera angles and continuity is the hard part. Most directors would rather work with someone who has a little artistic talent and a lot of filmmaking ability than the other way around. In fact, the artist has to know as much about the process of filmmaking as the director does to be good at the job. It's like a comic book for the director to follow. Storyboards are a series of panel (or frame) drawings that accurately depict the action of the film. Most of the top directors working today, such as Katherine Bigelow and Steven Spielberg, use them. Walt Disney and Alfred Hitchcock both used them. Storyboards have been used for years by top-name directors and are now becoming a standard within the industry.
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